Becoming Barbara

I’m going to be candid here, although I auditioned for Barbara Castle, I knew creating this character and playing her with conviction was going to be a huge challenge, a challenge which was at times a little bit intimidating. 

I began with immense amounts of research into the real Barbara Castle, noting her achievements and losses, following her life and tracing her path through parliament and beyond. But facts were not enough, facts aren’t human, they don’t tell you what makes a person tick; they don’t tell you how someone walks, what their hopes are, what they fear and why they are the way they are. They give you a bit of an inclination but there are many gaps left to fill. So, how do you find out who the real Barbara was? The woman behind the lists of achievements.

I started digging further, and found things that allowed me to get a sense of Barbara the person, not Barbara the politician. The first place I looked for detail was the script; stage directions and even the lines of other characters are incredibly informative. One line that is repeated throughout the show when referring to Barbara is “Fiery, like her hair!” - even in her own lines, Barbara does not shy away from confrontation of the masculine toxicity on display within the patriarchal world she inhabits. I then watched videos of the real Barbara, sometimes delivering her new bills before Parliament, sometimes meeting constituents or opening events, and I watched her giving interviews in her twilight years about her incredible career.

Watching the real Barbara Castle allowed me to observe how she moved and held herself, how she interacted with different kinds of people, how she softened with those she resonated with (people who weren’t born into privilege, and like her had to fight for everything they had), and how she confronted those whom she believed to be out of touch, self serving and corrupt. This informed not only how I held myself in my scenes, but also the attitude I adopted towards the characters to which I was interacting with. Finally, I read her retorts to sexist journalists and politicians, and quotes about her from colleagues such as Harold Wilson, which allowed me to grasp how she spoke to those who were against her, and how those who were with her truly felt about her. 

All of this research allowed me to build a profile which was incredibly detailed, helpfully Barbara loved the small details too, and allowed me to enter into rehearsal with conviction. 

The real Barbara Castle, a pioneer who played a vital role in achieving equal pay for women.

 

Once Alistair had given me direction, I began to feel comfortable embodying a character that was such a stark contrast to myself; one direction I was given that was incredibly helpful was to use hand gestures while speaking, as politicians usually do. I found this helped me play Barbara’s authority tremendously, and so set about watching videos of famous orators and politicians, in order to observe their hand movements and gestures. From this I came up with thirteen possible gestures I could use for Barbara, not all of them made the show, but having options to add a gesture to speech meant that physically I could comfortably highlight the authoritative side of the character.

The moment I felt that everything ‘clicked’ into place was during a workshop with the Artistic Director of Seedtime when we worked on how our characters walked and moved around the space. Once I understood how Barbara moved, the last piece of the puzzle was in place.

I knew it had clicked after one run through of the first act, during notes when Alistair commented “I love Barbara”; from then on I was given great feedback by the creative team on the way I carried myself when I was Barbara and how well I embodied the character.

 

Here are some useful links on character building: 

Becoming a character: https://iampro.com/acting/how-to-develop-a-character-in-theatre/

Character work: https://www.theguardian.com/stage/2009/may/09/character-building-great-actor

 

An image of my costume mood board.

An image of me delivering one of Barbara’s political speeches to the audience.

A production image of one of my scenes as Barbara.

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